MAISON FORTUNY

In the early 1900s the century began with cultural and avant-garde innovations that covered the entire old world from top to bottom, and among these there could not be missing a revolution of costume and dress. Among those innovators was Mariano Fortuny, who didn’t design fashions but created works of art to wear as wrote Marcel Proust in “The Prisoner.” A ridiculous idea where garments in contraposition to charm or to futuristic sterilised instruments became pure artistic expressions.

Born in Grenada in Spain in 1871, he moved to Paris, the interlectual centerpiece of the time. But his art found its real home in Venice where he based himself at the Pesaro palace in Saint Mark’s square, where today is found the Fortuny museum.

His creations describe a woman suspended between a Wagnerian tragedy and the reincarnation of the iconic personality of the Marquess Casati. Eleanora Duse and Isadora Duncan…

 

A polyhedric genius who knew how to renew the use of textiles, and with textiles the way of seeing and living a garment.

Mariano Fortuny 1900 – Luisa Fortuny 2000

“I was truly amazed when I discovered to be a descendent of Mariano Fortuny, because my creations turned out to be the continuation of the philosophy of his works, right from my very first garments made for my first fashion show in 1987.  This continuity is evident in the sinuous lines, in the soft forms and even in the choices of fabrics; indeed in a common tendency towards kimonos and kaftans, smooth silks painted to life and constellations of luminous precious stones.”

Luisa Fortuny